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← Into the SalonINTO THE SALON · PARIS, FRANCE

At Anna’s, a gift for her sister

Two sisters, a family photograph, and a portrait making a temporary stop among Anna’s books and pictures.

Anna sits in the walnut armchair while her sister stands beside the fireplace, with their grandmother's portrait between them in Anna's Paris apartment.
Anna and her sister at Anna’s Paris apartment, imagined for this story.

The portrait above Anna’s console is not staying. For now, though, it looks at home among the books, smaller pictures and ceramics in her Paris apartment. A copy of the photograph that inspired it sits below. Anna and her sister have been looking at the two together.

Anna stands at the walnut console looking down at a small black-and-white photograph beneath her grandmother's portrait.
Anna looking at the small reference image below the portrait.

The young woman in them is their grandmother. She sits upright in a dark dress, one hand on a closed book, looking directly at the camera. The sisters know later photographs better, but Anna remembered how often her sister returned to this one.

That made it a good starting point for a gift. Anna told her sister about the idea before commissioning the portrait. They could choose the image together, and her sister could think about where it would go. The surprise was less important than knowing she wanted to live with it.

A generated black-and-white portrait print rests on the walnut console beside two blank envelopes, with a cream vase to the left and old books to the right.
An imagined black-and-white family photograph.

The original image in the story is black and white. It shows the dress, the hair and the hand on the book, but not their colors. Anna discussed a monochrome painting and a restrained color version with Lucien at Atelier Vigée. She chose the latter: a dark dress, grey-brown surroundings and warmth in the face, understood as an interpretation rather than recovered family history.

Oil-portrait concept of a dark-haired young woman in a charcoal dress, one hand resting on a closed book, within an aged gilt frame.
Their grandmother as a young woman, interpreted in color in a portrait.

The direct gaze stayed. So did the closed book, whose title neither sister knows. There was no need to give their grandmother a favorite author on the strength of an unreadable cover.

Before the painting leaves for her sister’s home, it hangs above Anna’s narrow console, between the bookcase and fireplace. The sofa faces it, and there is a chair nearby for looking through the family pictures together.

A lived-in Paris salon with a walnut bookshelf, collected artworks, a sofa facing the grandmother portrait and an armchair beside the coffee table.
A temporary place above Anna’s console before the portrait goes to her sister, within the fictional story.

Anna will send a copy of the photograph with the portrait. Her sister can keep the two within reach, as they are here.

Have someone in mind?

Start with the person or pet you would like painted, a few photographs, and a preferred size. The atelier will help you consider the composition.

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